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Steve Shackleford

Buying Custom Knives: Is List Price the Same as Value?

List Price is One Thing…

We recently published a picture of a custom knife with a price one observer indicated was exorbitant. This person questioned why we had published it.

When we publish the picture of a knife, we try to include the price. In the instance of a factory knife, the price we list is the manufacturer’s suggested retail price. In the case of custom makers’ knives, where possible we preface what the maker charges for the knife with “The maker’s list price”—for example, “The maker’s list price: $500.”

…And Value is Another

The reason we do it that way is the price is the one the maker is asking for the knife, not the collector value. We are no more going to change the maker’s asking price for a custom knife to reflect what we think the collector value is any more than we would do the same to a factory knife. It simply is not our place to do so. (Besides, it could open us up for legal action.)

We don’t list the collector value for custom knives because:

  • a) such values can be subjective;
  • b) such values are subject to fluctuation, sometimes almost overnight;
  • c) we simply may not know the collector value;
  • d) any number of other reasons; or
  • e) all of the above.

Why Doesn’t BLADE Publish Collector Values?

Now, sometimes we will list prices based on knife-show-opening bids, secondary market values, purveyor’s list and other prices, etc., but we never publish collector values for custom knives.

BLADE® is a knife magazine, not a price guide. Our mission is to show the work of as many makers as possible to as many knife buyers/collectors as possible, and let the latter decide what they want to buy and whether it’s worth the price.

Kyle Gahagan knives are sometimes offered for sale through ExquisiteKnives.com.
Kyle Gahagan made this 10.5-inch blade with forge-welded 1075 and 15N20 steels. The guard uses the same steel, and the handle is ringed gidgee wood. Maker’s list price: $3,500. 

Do Knifemakers Charge Too Much?

The fact that some makers charge too much for their knives is no news flash. The temptation to make as much money as possible from one’s labors is always there and is understandable—if done within reason.

However, to do so beyond reason not only is unfair to buyers, it also is likely to backfire on the makers in question by turning off buyers, thus dampening the makers’ future knife sales. In some cases, it may drive the makers out of business.

How to buy a custom slip joint knife
Stan Buzek based his slip joint on a Bill Ruple two-blade trapper. The hollow-ground blades are Damasteel damascus and 3.5 inches each. The fileworked liners are 416 stainless steel. Closed length: 4 3/8 inches. Buzek’s list price to make a similar piece: $1,950. (SharpByCoop photo)

On the other hand, if we publish a maker’s knife and list price and the maker gets feedback on how out of touch the price may be, it might serve as a teaching moment and help the maker get his prices more in line with reality—and help keep the maker in business.

Now, there are some makers who charge four, five and, in ultra-rare cases, six figures for their knives—and get it. And more power to them.

However, they get those prices by the grace of their creativity, ability, reputation, knowledge of the knife market and more, not because they simply ask for them.

Protect & Store Your Custom Knives:

Display Your Custom Knives:

3 New Reasons to Attend BLADE Show West 2019

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Allow the BLADE Show West staff to help you decide why you should attend the 2nd Annual BLADE Show West, Nov. 1-3 at the Oregon Convention Center in Portland.

In fact, staff members have been studying ways to inject some Vitamin C—as in C for Cut—into proceedings, and I think they have hit on new attractions that will make your decision whether to attend easy.

1) A New Cutting Competition

First is the chef’s knife cutting competition. Instead of holding it during show hours, we’re going to do it after show hours on Saturday (see details at bladeshowwest.com).

Ethan Becker, who knows chef’s knives quite well from his four decades of writing and editing the world-famous cookbook, Joy of Cooking, and knives in general through Becker Knife & Tool, will oversee the event.

The foodstuffs, they will be a flyin’!

2) Knife Critiques

Second of the new attractions will be the seminar, “Let the Pros Critique Your Knife.” The pros will consist of award-winning knifemakers/show exhibitors Murray Carter, Bill Harsey, David Lisch, Bill Ruple, Brian Tighe and Mike Tyre.

Since critiquing a knife properly takes time, this will be a limited seating event. Attendees may bring one knife only and attendee sign-ups will be held onsite.

If I were a hobbyist knifemaker of even a long-time one, I would love to have one of the makers on our panel point out what I was doing right and what I was doing wrong.

3) See the Real Bowie Knife?

Third of the new attractions will be the seminar, “Bowie’s Bowie: The Best Candidate,” as well as an exhibit of the candidate in question.

Dale M. Larson, author of the book The Knife Behind the Curtain: The True Story of Actor Edwin Forrest, James Bowie, and the Blade that Binds Them, will both exhibit the Edwin Forrest Bowie during the show and also deliver a seminar all about the knife.

Where to Get Tickets & More Information

Everything you need to have fun at BLADE Show West is at bladeshowwest.com.

How World War II Forged the Custom Knife Industry

2019: An Important Anniversary

This year marks the 75th anniversary of many major battles that turned the tide for the Allies in World War II. D-Day, Bastogne, Anzio, Monte Cassino, the Leyte Gulf and more are forever etched in the minds of many millions of people. Yes sir, 1944 was a very bad year for the Axis.

For those who fought in those titanic struggles for freedom, 2019 designates the last of the major anniversaries they will see. Most of whom are at least 90 and older today, they obviously won’t be around for the centennial celebrations in 2044. Of course, many of the rest of us won’t as well, but then we didn’t serve in “The Big One,” as Dad liked to call it, either.

In a world that seems bent on forgetting its past, the Greatest Generation members who won that war, both at the front and the loved ones on the home front—including my parents—are unforgettable. No matter race, gender, creed or nationality, the Greatest Generation represents most of what’s good, wise, brave and kind about humanity.

Memories of them are indelible because their deeds are manifest in the subsequent accomplishments and successes apparent everywhere on the globe, including from the bounty of the USA to the remarkable recoveries of two of the Axis powers most devastated by the conflict: Germany and Japan.

Custom Knives & World War II

All Purpose Combat Knife
Bo Randall’s Model 1 journeyed to all theaters of World War II alongside U.S. forces. (Randall Made Knives photo)

The argument can be made that the custom knife industry can trace its roots to World War II. It was during the war that such knifemakers as BLADE Magazine Cutlery Hall-Of-Fame® members Bo Randall, Rudy Ruana, William Scagel, M.H. Cole and Dan Dennehy made knives for the troops. Dennehy, in fact, both made knives for the troops during the war and also served in it, joining the Navy in 1940 and seeing action in the Saipan, Philippines and other campaigns.

Other well-known makers to fashion knives for the troops during the war included Floyd Nichols, Hoyt Buck, David Murphy, John Ek, Donald W. Moore, Frank Richtig, E.W. Stone, John Nelson Cooper and no doubt more. Each played a role in inspiring what today is the modern custom knife industry.

World War II: Special Tasks Required Special Knives

Case V-42
The Case V-42 opened up new possibilities in knife design, proven on the battlefields of World War II. (Case photo)

And then there were those who used knives in the war, people such as U.S. Army Corporal Eugene “Gene” Gutierrez of the First Special Service Force (FSSF). It was the FSSF that carried the legendary Case V-42 dagger and was comprised of specialists in mountain climbing, skiing, demolition and airborne ops.

Gene Gutierrez Devil's Brigade World War II
Gene Gutierrez

Wounded eight times in combat, Gene was with the FSSF when it scaled the 10,000-foot-high Monte la Difensa in the Italian campaign and dislodged the occupying Germans.

The climb was “pretty much straight up,” he said of the monumental effort. It took all night under one of the heaviest artillery barrages of the war, but the Forcemen made it up the mountain and routed the enemy. Later the FSSF was inserted at Anzio, where they pushed the Germans back again.

According to Gene, the Forcemen also were specialists in psychological warfare. While on night patrol they would paint their faces black and, after dispatching Germans, leave notes on the vanquished enemy bodies that read, “The worst is yet to come.” The Germans who found the notes nicknamed the Forcemen the Black Devils, aka the famous Devil’s Brigade.

Ninety-eight now, Gene is one of the last of a rapidly vanishing breed. The surviving Forcemen get together for reunions when possible, and Gene has served as the president of their association twice. They are among the leading members of the only generation that is truly unforgettable.

A Hug for a Knife? An Unorthodox Way to Start Collecting Miniature Knives

An Unorthodox Way To Start Collecting Knives

Knives come in all types and sizes. The knives in Brittany Gambee’s collection, for instance, are miniatures, all of which, with the exception of one, are made by ABS journeyman smith Dale Huckabee. And the genesis for them all started with a hug—or the lack thereof.

“Give Me A Hug For A Knife”

It started almost two decades ago when Brittany was 6. She and her mom, Dianna, were visiting their first Batson’s Bladesmithing Symposium, a three-day celebration of bladesmithing seminars and knives at the Tannehill Ironworks and park in McCalla, Alabama. Then a fledgling bladesmith, Huckabee was displaying his knives at his second or third Batson event, when up walked Brittany.

“This little girl about 2 or 3 feet high came up and said she’d give me a hug for a knife,” Dale recalled. Huckabee was feeling pretty chipper back then because he had just won a scholarship to the Bill Moran School of Bladesmithing.

Collecting custom knives
Brittany holds the knife at 6 (left) and wears it at 16 (right). In the background of the latter image is Brittany’s mom, Dianna.

“I had this miniature knife and sheath and reached over and hung it around her neck and said, ‘Where’s my hug?’—and she ran,” he grinned.

Dianna remembers the incident almost like it was yesterday.

“Dale told me when he gave the knife to her that it was sharp and to be careful, but he wanted her to have it,” she said, adding that Brittany wore the knife and neck sheath for many years. “Well, in our silliness we didn’t get his name, we just took the knife and sheath and figured ‘no big deal.’”

The DH Mystery

Fast-forward 10 years to when Brittany was 16. “The dog chewed the edge of the sheath and Brittany was very upset and wanted to replace it,” Dianna remembered. “Well, the knife had a ‘DH’ on it, but we didn’t know who DH was.”

Enter “Uncle Bill.”

“We’d been coming to Batson’s every year and there was this wonderful man who used to come here, ‘Uncle Bill’ Richardson—he’s passed away now—and he told us, ‘You bring the knife to the symposium and have Brittany wear it and somebody will recognize you.’”

Richardson—who Dale said didn’t make knives but was “a heck of a blacksmith”—was at least half right. Dale recognized Dianna but he didn’t recognize Brittany because at 16 she was 10 years older than the young lady he originally had met.

“This lady and this girl walk up and the lady said you don’t recognize her [Brittany], do you?’” Dale recalled. “I said no but I recognize the knife.”

Collecting Miniature Knives

Mini knife collecting
Gambee’s collection includes 12 miniatures. The neck knife and sheath are at lower left.

The Gambees have been coming to Batson’s Symposium—including this year’s rendition April 7-9—ever since and each year Brittany, now 25, buys a Huckabee miniature knife. This year’s addition: a miniature chef’s knife. The only piece in her collection that Dale did not make is one miniature damascus tomahawk by ABS master smith Ken Durham.

“Ken made the hawk for me because Dale always makes knives,” Brittany noted. “He saw Dale’s knives and said he could make a small hawk for me, and then Dale saw Ken’s hawk and said he could make a small one of those and made one for me, too.”

A Lasting Friendship

Who collects knives
Dale Huckabee, Brittany and her collection at the 2019 Batson’s Bladesmithing Symposium.

The lasting relationship between Dale and the Gambees is something all concerned seem to relish.

“It’s been a good journey. She’s grown up with me now,” Huckabee reflected. “When I get to the BLADE Show I see her over there some and she’s like family. I try to make something different for her every year. Last year I made the miniature damascus tomahawk, but I have to keep my head working to try to make something new and different each year. I don’t know what it will be next year. I’ll have to try and come up with something new.”

Oh, and in case you’re wondering, Dale replaced the sheath for Brittany’s knife, too.


2019 Portland Knife Shows

The List: Top 10 BLADE Show Moments

The BLADE Show is the Gigantopithecus of knife events. How did it get there? In chronological order, let’s review.

1) No Top 10 list can start without the start, and the BLADE Show started when BLADE Magazine Cutlery Hall-Of-Fame® members Jim Parker and Bruce Voyles organized the first one at the Drawbridge Motor Inn across the Ohio River from Cincinnati in Erlanger, Kentucky, in 1981.

2) Jim and Bruce’s creation, in 1983, of the BLADE Knife-Of-The-Year® Awards and the BLADE Magazine Hall Of Fame® set in motion two cutlery industry achievements that today are among the most coveted knife recognitions. Announcing them all at the BLADE Show gave—and to give—both the honors themselves and the show more cachet.

3) Moving the BLADE Show to the sprawling Holiday Convention Center in Knoxville, Tennessee, in 1984, to the site of the 1982 World’s Fair announced to the community that Parker and Voyles were determined to host a serious knife show contender.

4) The decision by the American Bladesmith Society to hold its annual meeting in conjunction with the BLADE Show—which the ABS has done every year since—established bona fides with many in the custom knife industry.

5) The decision in 1992 by Bruce Voyles, who by that time owned both BLADE® Magazine and the BLADE Show, to move the BLADE Show to the Renaissance Waverly in Atlanta thrusted the event onto the international cutlery stage. The show has never looked back.

6) The phenomenon that remains The Pit—the sunken lounge in the Renaissance Atlanta Waverly Hotel—became a magnet not only for revelers after the BLADE Show’s daily closings, but also a place where industry movers and shakers brainstorm new knives and knife innovations that shape the cutlery industry.

7) Then-BLADE publisher David Kowalski’s decision in 1997 to move the BLADE Show from the Renaissance to the adjacent Cobb Galleria Centre exhibition halls expanded the show’s look and size dramatically, and completed its ascension to the status of the world’s largest knife show.

8) The entire cutlery industry came together as one at the 2009 BLADE Show to help defeat the scurrilous attempt by U.S. Customs to classify all one-hand-opening knives as switchblades/automatics. If Customs had succeeded, the sporting knife industry—and thus the BLADE Show—would be shadows of what they are today.

9) The wholesale embracing of the BLADE Show over the past five to 10 years by the international cutlery community as the ultimate knife event has elevated the show to unheard of heights. A wealth of exhibitors—including herds of Knife-Of-The-Year and custom knife judging competition winning makers—dealers, buyers/collectors and industry professionals from every continent but Antarctica have taken the BLADE Show from being not only the world’s largest knife event, but also the most transformative global knife forum of all time.

10) Last, but most important of all, are the many thousands of patrons over the years who have made the pilgrimage to the BLADE Show to enjoy knives, knifemakers and each other in all their splendor. In the final analysis, it is the supporters of any endeavor that make the endeavor go. And nowhere does the preceding statement apply more aptly than in the case of the patrons of the BLADE Show.

Tony Bose, Mel Pardue Inducted To BLADE Magazine Cutlery Hall Of Fame®

Two Longtime Knifemakers Join The Elite Of Cut

Tony Bose and Mel Pardue are the latest inductees into the BLADE Magazine Cutlery Hall Of Fame®. The two living legends of the custom knife industry were voted in by sitting members of the Hall Of Fame, and will be formally inducted at the BLADE Magazine Awards reception during the BLADE Show June 7-9 at the Cobb Galleria Centre in Atlanta, Georgia.

TONY BOSE

Tony Bose custom knifemaker
Tony Bose

When Tony Bose first started building knives, he asked a maker to share a knife pattern with him. When the maker refused, Tony decided that whenever anyone asked him for a pattern he would give it to him, and he always has, sending patterns all over the world.

Few have done more in mentoring and teaching their fellow makers through instruction and by example than Tony, who is perhaps the world’s best-known contemporary custom maker of traditional slip joints. It’s never been his mission to simply make knives. Instead, he aspires to “bring knives back from the dead.”

His love of knifemaking began in 1972, when he made his first custom fixed blade from an industrial hack-saw blade. As he put it, “I’ve been trying to make a knife that I’m completely happy with ever since. It hasn’t happened yet.”

He worked for years perfecting his skills before pursuing a full-time custom knifemaking career in 1990. His impact was quickly felt when he won Best Folder at the 1994 East Coast Custom Knife Show and also at the 1995 BLADE Show.

Tony Bose knifemakerIn 1998, Tony began working as a custom collaborator with Case. Since 1999, among the knives he has designed for Case are collaborations of vintage patterns made in limited quantities on an annual basis. One such offering was the Arkansas Hunter, winner of the BLADE Magazine 2008 Collaboration of the Year.

Tony’s a crowd favorite at Case consumer events, knife shows and swap meets across the country, and he willingly shares his techniques with other makers to keep the art of making traditional knives alive for future generations. He’s also taught classes on knives and knifemaking at BLADE University during the BLADE Show, and for many years made and donated knives for silent auctions at BLADE Shows to raise money for the old National Knife Collectors Association.

This past year, Tony was awarded the fourth annual Aldo and Edda Lorenzi Award at the BLADE Show for his many contributions as a mentor to knifemakers worldwide.

MEL PARDUE

Mel Pardue custom knifemaker
Mel Pardue

Mel Pardue made his first knife in 1952 and has fashioned them on a regular basis since 1956. A voting member of the Knifemakers’ Guild for almost four decades, he served on the Guild’s board of directors in various capacities for 14 of those years, the final 10 as vice president. He received the Ron Little Award in 1992 and is a past winner of the Guild’s Red Watson Friendship Award.

He is the first person without membership in the American Bladesmith Society to teach at the William F. Moran School of Bladesmithing, where he conducted classes on how to make folders. He has taught the same subject at the Batson Bladesmithing Symposium, and has held seminars and classes in the Pardue shop for over 40 years. His numerous designs for Benchmade Knives have been among the company’s most popular and best-selling models for many years.

In 2016, Mel was presented with the BLADE Show’s Aldo and Edda Lorenzi Award for his outstanding work in teaching and mentoring his fellow makers in the art of building knives.

Mel Pardue knifemakerAs one nominator noted, “Mel exemplifies the pure definition of a custom knifemaker. He is a craftsman of the highest caliber who hand makes his world-renowned knives, one by one, without the use of modern technology. He embodies the highest level of personal and professional ethics.

In the nearly four decades I have known Mel, he has demonstrated a true respect for both fellow custom makers and unselfish dedication and love for his craft, sharing hard-gained knowledge and skills. He has helped dozens of up-and-coming knifemakers of all ages.”

A Look Back At BLADE Magazine Cutlery Hall of Fame® History

As these words are written, sitting members of the BLADE Magazine Cutlery Hall Of Fame® are making their nominations for who will be inducted into the Cutlery Hall Of Fame during BLADE Show 2019 on June 7-9 at the Cobb Galleria Centre in Atlanta. When you read these words those nominations will have been completed and the final balloting will be under way.

The entire process rekindles fond memories for this writer, most of which involve the Hall Of Fame ceremony itself that annually occurs during the BLADE Magazine Awards Reception the Saturday night of the BLADE Show.

Cutlery Hall of Fame
Bob Terzuola (left) presents Sal Glesser (right) with his BLADE Magazine Cutlery Hall-Of-Fame® plaque during the Hall-Of-Fame ceremonies 20 years ago at the 1999 BLADE Show.

The first such ceremony that stood out for me was in 1988 when A.G. Russell and Ken Warner inducted each other—with neither knowing at the time the other would be inducted as well! When each inducted the other the expression on the new inductee’s face was priceless, and that ceremony remains like no other before or since.

Hubert Lawell’s induction in 1989 was memorable for his bringing a copy of the old and now defunct EDGES pocketknife newspaper we used to publish up on the stage, holding it high in the air, and praising it and everything it/we did as the greatest thing for the knife industry since sliced bread. Never mind that many in the audience appeared unsure of what Hubert was saying in his low Tennessee drawl, at the end of his speech he had everyone on their feet cheering—though I’m not sure all of them were cheering because of what he said so much as he was finished saying it.

The 1993 inductions of Col. Rex Applegate, B.R. Hughes and Bruce Voyles were unique. They were the only inductions ever held outside the BLADE Show venue, specifically under a big canvas tent at Stone Mountain Park near Atlanta. Bruce became the first-ever member inducted by acclimation of the membership, which was a pleasant surprise to him. Not to be outdone, upon his induction B.R. uttered perhaps the best acceptance line ever.

“I don’t know that I deserve this Hall-Of-Fame plaque,” he deadpanned, “but I’m not giving it back!”

Following it all everyone retired to a giant fireworks presentation courtesy of the park.
Spyderco CEO Sal Glesser’s induction in 1999 was particularly memorable. Not only were we able to keep Sal from knowing until the last minute that he would be inducted, but Mrs. Gail Glesser was able to keep secret from him that she would be there, too.

best knifemakers in the world
Al Buck, M.H. Cole, Bill Williamson and Jimmy Lile receive their Hall of Fame awards from James F. Parker at the BLADE Show banquet.

Gail was supposed to miss the BLADE Show entirely that year due to a scheduling conflict. However, when we told her Sal was going to be inducted, unbeknownst to him she begged off on her other engagement and arranged to arrive at the show just before the ceremony began. So not only was Sal surprised to be inducted, he was equally tickled to have his wife there to share in the honor with him.

In recent years we’ve had to forego all the cloak-and-dagger stuff involving keeping the inductions secret because we have been announcing the inductions on our website well before the show, which we will do again for this year’s inductions sometime next month. Stay tuned to blademag.com for that announcement.

Meanwhile, visit the list and mini-bios of all our illustrious Cutlery Hall-Of-Fame members. While all of their induction ceremonies are not recounted here, each was special in its own way just the same.

BLADE Show tickets online

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